What is a typical drum overhead miking technique?
What is a typical drum overhead miking technique?
Drum Miking Cheat Sheet To minimize room sound, lower the OH microphones and point them toward the center of the kit. To maximize room sound, raise the OH microphones, angle them away from the drums, or use wider polar patterns. To minimize cymbal sound, try Recorderman. To ensure mono compatibility, use XY or MS.
How Many mics do you need to record drums?
You typically need 5-20 mics to record drums, though you can use as few as 1-4. More microphones don’t automatically guarantee that your recording will sound better and may make it more difficult to get a clear, realistic sound. Proper recording involves spot, stereo, and room microphones.
What do you plug drum mics into?
Micing the drum kit
- Take your large-diaphragm dynamic microphone (ex AKG D112 kick drum mic) and connect an XLR cable to it.
- Plug the mic into CHANNEL 1 of your audio interface.
- (For a tight punchy sound)
How far should overheads be from snare?
Like anything else, it varies, but usually around 35″ – 45″ from the snare for a good starting point.
Where do you put XY overheads?
XY
- XY.
- Setup is pretty well as it sounds, put the mics right next to each over the kit, with one mic pointing towards one side of the kit, one pointing the other.
- This is probably the most common method for miking overheads.
- ORTF is similar to XY, however there is a space between the two microphones.
What mics did Glyn Johns use?
Mics to use for the Glyn Johns method Snare drum: Shure SM57 as an all-purpose dynamic mic with good low-end response perfect when you need crisp consonants. Overhead – Beyerdynamic M160 ribbons provide rich clarity while maintaining excellent detail through their sensitive mid-range frequencies, crucial for vocals.
What microphone is best for recording a full drum set?
The Top 10 Drum Mics of 2022
- #1. The Audix D6 Dynamic Microphone.
- #2. The Shure SM57-LC Cardioid Dynamic Drum Microphone.
- #3. The Sennheiser 604 Microphone System.
- #4. Shure Beta 52 Dynamic Drum Microphone.
- #5. The AKG D112 Drum Microphone.
- #6. The Audix DP5A Pack.
- #7. The Sabian Sound Kit Drum Set.
- #8.
Do you need a mixer for drum mics?
If you plan to do all the mixing and processing ‘in the box’, you don’t really need a mixer at all: you just need an audio interface and sufficient mic preamps.
What is needed to record drums at home?
Since I’m in short-description-mode, here are all the parts you need to record: a room, drums (and someone to hit them), microphones, microphone preamps (optional), recording hardware (assume it’ll be digital), recording software, a sense of what you want to hear, and much more time than you think you’ll need.
Do you need to mic cymbals?
If you have enough free mics and inputs, mic up the most important cymbals — usually the high hat and the ride (though you should ask first, some drummers may feel their crash or china are more favored/essential to the track).
What all do I need to record drums at home?
What is needed to start recording drums?
6 Steps for Recording Drums
- Tune your drum kit. Any recording engineer will tell you that the most important element to a great-sounding recording is a great-sounding instrument.
- Mic the kick drum.
- Mic the snare drum.
- Set up overhead microphones.
- Mic more individual drums (optional).
- Set a preamp and compression sound.
What is the Glyn Johns technique?
Glyn Johns developed a unique approach to the recording drums, often referred to as the “Glyn Johns Method.” This technique usually employs three or four microphones: one hoisted several feet overhead for natural perspective; one-off near the floor tom-tom; and another near bass drum. additional mic on the snare.
How do you pan Glyn Johns drums?
Panning the Glyn Johns Way Pan your kick and snare mics to the center, as you’d do on any recording. Then, take your overhead mics, and pan the one above the snare halfway to the right. This gives it a little balance without taking it too far to the right.
Is a condenser mic good for drums?
Therefore, condenser mics are suitable for overhead mic or front of drum placement. They are susceptible to sound because of their lightweight membrane. It has a natural, precise, clear, and transparent sound, responding well to delicate parts such as cymbals.
What are the different methods of miking drums?
There are 2 main methods to miking drums. Open and Closed Miking. Closed Miking means you’re putting a mic on each individual drum to mix each one. Open Miking is just placing 1 or 2 overheads in the room to capture the entire set as one instrument.
How do you mix two mics to make a good kick drum?
Mix the two mics together to taste to get a sound as big or as pointy as you like. NOTE: If using a ribbon mic on kick drum, stay away from the hole where there’s a huge rush of air forced out when the drum is played. NOTE: For the outside mic you can alternately use the DW The Moon Mic in front of the kick as a low-frequency pickup source too.
What is the best overhead miking setup for a drum kit?
The most common overhead miking setup is probably two spaced cardioids above the drums over the left and right sides of the kit. I’ve tried using mic pairs in XY or even in M-S (mid-side) over the drums, but I generally go back to a spaced pair.
How many microphones do you need for drum miking?
For this drum miking technique, you only need three microphones. This technique has been used heavily in the 60s and 70s, and it’s related to famous producer Glyn Johns. Glyn Johns is a producer and engineer who worked with iconic classic rock bands in the 60s and 70s. In this technique, only the bass drum has a dedicated mic.